114 bars of 4/4 at 140 BPM, about 3:15 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-16, 34-40 and 58-72 -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 33, 41, 57, 89, 97, 105 and 1 more.
114 bars across 11 sections: 76 keep time, 7 are fills, 13 are stops and 12 are silent. The longest unbroken stretch of time is bars 59-74.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
114 bars, about 3:15 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 33, 41, 57, 89, 97, 105 and 1 more.