78 bars of 4/4 at a walking 98 BPM, 3:11 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7, 9 and 15, and 7 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 6, 10, 28, 30, 34, 44 and 4 more.
2 more fills are written out on the fills page.
78 bars across 9 sections: 46 keep time, 10 are fills, 1 is a stop and 10 are silent. The longest unbroken stretch of time is bars 11-18.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
78 bars, about 3:11 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 6, 10, 28, 30, 34, 44 and 4 more.