126 bars of 4/4 at 120 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-10, hi-hat through bars 11-19, silence through bars 20-35, hi-hat through bars 36-60, silence through bars 61-63 and hi-hat through bars 64-73, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 53-55, 57-60 and 100-102, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
53 54
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|-------------x--|
HH |----o---o---o---|o---o---o-------|
SD |----x----x--x---|----x----x--x---|
BD |x--x--x---x---x-|x--x--x---x--x--|8 fills to learn, played 19 times: bars 14, 47, 51, 52, 54, 56 and 13 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
126 bars, about 4:12 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 14, 47, 51, 52, 54, 56 and 13 more.