126 bars of 4/4 at 120 BPM, about 4:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 53-55, 57-60 and 100-102, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 19 times: bars 14, 47, 51, 52, 54, 56 and 13 more.
4 more fills are written out on the fills page.
126 bars across 12 sections: 72 keep time, 19 are fills and 28 are silent. The longest unbroken stretch of time is bars 75-89.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
126 bars, about 4:12 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 14, 47, 51, 52, 54, 56 and 13 more.