112 bars of 4/4 at 120 BPM, about 3:42 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-5 and 30-40 -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 41, 45, 93 and 105.
117 bars across 14 sections: 89 keep time, 4 are fills, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 47-60.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 85 out of 100; the rest of the number is everything around it.
112 bars, about 3:42 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 41, 45, 93 and 105.