117 bars of 4/4 at 115 BPM, about 4:04 of playing, on crash, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-48 and 85-92 -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 24, 67, 68, 84, 108 and 112.
1 more fill is written out on the fills page.
117 bars across 17 sections: 78 keep time, 6 are fills, 2 are stops and 22 are silent. The longest unbroken stretch of time is bars 33-48.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
117 bars, about 4:04 at the written tempo. The course breaks it into 33 exercises over 8 sittings, about 29 minutes each.
crash, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 24, 67, 68, 84, 108 and 112.