164 bars of 4/4 at 132 BPM, about 4:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-25, 43-45 and 47-49, and 11 more places -- 34.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 15 times: bars 41, 42, 81, 82, 98, 123 and 9 more.
164 bars across 16 sections: 111 keep time, 15 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 27-40.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
164 bars, about 4:58 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 41, 42, 81, 82, 98, 123 and 9 more.