87 bars of 5/4 -- not four -- at 140 BPM, 3:07 of playing on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 11 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 15 times: bars 1, 7, 17, 18, 19, 20 and 9 more.
1 more fill is written out on the fills page.
122 bars across 8 sections: 59 keep time, 15 are fills, 1 is a stop and 40 are silent. The longest unbroken stretch of time is bars 41-61.
140 BPM, in 5/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
87 bars, about 3:07 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 1, 7, 17, 18, 19, 20 and 9 more.