122 bars of 4/4 at 118 BPM, about 4:08 of playing, on crash, hi-hat, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-2, 37-38 and 59-60, and 4 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
122 bars across 19 sections: 85 keep time and 37 are silent. The longest unbroken stretch of time is bars 65-77.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
18 out of 100: straightforward, and the one thing to watch is the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
122 bars, about 4:08 at the written tempo. The course breaks it into 6 exercises over 2 sittings, about 26 minutes each.
crash, hi-hat, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.