280 bars of 4/4 at 120 BPM, about 9:21 of playing, on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 44-46, 48-50 and 60-62, and 13 more places -- 23.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 36 times: bars 1, 2, 3, 11, 15, 31 and 30 more.
6 more fills are written out on the fills page.
280 bars across 12 sections: 154 keep time, 36 are fills, 2 are stops and 76 are silent. The longest unbroken stretch of time is bars 16-26.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
280 bars, about 9:21 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 36 times: bars 1, 2, 3, 11, 15, 31 and 30 more.