226 bars of 4/4 at 120 BPM, about 7:32 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 100, 102 and 104, and 16 more places -- 15.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 43 times: bars 48, 49, 53, 57, 62, 65 and 37 more.
11 more fills are written out on the fills page.
226 bars across 27 sections: 111 keep time, 43 are fills, 21 are stops and 31 are silent. The longest unbroken stretch of time is bars 15-25.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
226 bars, about 7:32 at the written tempo. The course breaks it into 68 exercises over 16 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 43 times: bars 48, 49, 53, 57, 62, 65 and 37 more.