175 bars of 4/4 at 130 BPM, about 5:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-38, 55-62 and 89-96, and 1 more place -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 43 times: bars 6, 7, 8, 9, 10, 11 and 37 more.
8 more fills are written out on the fills page.
182 bars across 25 sections: 94 keep time, 44 are fills, 17 are stops and 5 are silent. The longest unbroken stretch of time is bars 23-30.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
175 bars, about 5:10 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 43 times: bars 6, 7, 8, 9, 10, 11 and 37 more.