112 bars of 4/4 at 130 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 10 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 21 times: bars 4, 61, 62, 63, 64, 71 and 15 more.
112 bars across 8 sections: 78 keep time and 21 are fills. The longest unbroken stretch of time is bars 16-42.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
112 bars, about 3:27 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 21 times: bars 4, 61, 62, 63, 64, 71 and 15 more.