126 bars of 4/4 at 135 BPM, about 3:42 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 17 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 28 times: bars 21, 25, 33, 41, 42, 43 and 22 more.
8 more fills are written out on the fills page.
143 bars across 16 sections: 54 keep time, 28 are fills, 19 are stops and 25 are silent. The longest unbroken stretch of time is bars 27-32.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 25 out of 100; the rest of the number is everything around it.
126 bars, about 3:42 at the written tempo. The course breaks it into 49 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 28 times: bars 21, 25, 33, 41, 42, 43 and 22 more.