102 bars of 4/4 at 111 BPM, about 3:41 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 10 more places -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 30 times: bars 5, 9, 17, 24, 25, 27 and 24 more.
10 more fills are written out on the fills page.
102 bars across 10 sections: 55 keep time, 30 are fills and 5 are silent. The longest unbroken stretch of time is bars 32-40.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
102 bars, about 3:41 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 30 times: bars 5, 9, 17, 24, 25, 27 and 24 more.