160 bars of 4/4 at 110 BPM, about 5:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 118-123, 128-131 and 141, and 1 more place -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 5, 16, 27, 115, 116, 117 and 9 more.
2 more fills are written out on the fills page.
167 bars across 19 sections: 100 keep time, 15 are fills, 4 are stops and 27 are silent. The longest unbroken stretch of time is bars 143-163.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
160 bars, about 5:43 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 5, 16, 27, 115, 116, 117 and 9 more.