98 bars of 4/4 at 115 BPM, about 3:20 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 14 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 1, 3, 5, 7, 34, 42 and 14 more.
5 more fills are written out on the fills page.
98 bars across 13 sections: 63 keep time, 20 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 52-61.
115 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
98 bars, about 3:20 at the written tempo. The course breaks it into 40 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 1, 3, 5, 7, 34, 42 and 14 more.