202 bars of 4/4 at 140 BPM, about 5:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-62, snare through bars 63-66, hi-hat through bars 67-70, snare through bars 71-74, hi-hat through bars 75-102 and snare through bars 103-106, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 125-131, and 3 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
125
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----x---x---x---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|9 fills to learn, played 23 times: bars 17, 25, 26, 30, 34, 62 and 17 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
202 bars, about 5:43 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 17, 25, 26, 30, 34, 62 and 17 more.