202 bars of 4/4 at 140 BPM, about 5:43 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 125-131, and 3 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 17, 25, 26, 30, 34, 62 and 17 more.
5 more fills are written out on the fills page.
202 bars across 27 sections: 132 keep time, 23 are fills and 19 are stops. The longest unbroken stretch of time is bars 152-166.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
202 bars, about 5:43 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 17, 25, 26, 30, 34, 62 and 17 more.