58 bars of 4/4 at 120 BPM, about 1:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1, 3 and 12-15, and 3 more places -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 2, 4, 5, 6, 7, 8 and 24 more.
8 more fills are written out on the fills page.
58 bars across 6 sections: 19 keep time, 30 are fills and 4 are stops. The longest unbroken stretch of time is bars 12-16.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
94 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 79 out of 100; the rest of the number is everything around it.
58 bars, about 1:52 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 2, 4, 5, 6, 7, 8 and 24 more.