143 bars of 6/4 -- not four -- at 110 BPM, 5:33 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 95-105 and 113 -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 12 times: bars 15, 33, 34, 83, 84, 85 and 6 more.
3 more fills are written out on the fills page.
143 bars across 24 sections: 62 keep time, 12 are fills, 11 are stops and 48 are silent. The longest unbroken stretch of time is bars 16-23.
110 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 27 out of 100; the rest of the number is everything around it.
143 bars, about 5:33 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 15, 33, 34, 83, 84, 85 and 6 more.