211 bars of 4/4 at 132 BPM, about 6:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 33-39, and 15 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
15 fills to learn, played 32 times: bars 16, 24, 32, 40, 52, 60 and 26 more.
11 more fills are written out on the fills page.
211 bars across 15 sections: 161 keep time, 32 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-13.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
211 bars, about 6:23 at the written tempo. The course breaks it into 54 exercises over 15 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 32 times: bars 16, 24, 32, 40, 52, 60 and 26 more.