74 bars of 4/4 at a walking 80 BPM, 3:40 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12, 32 and 34-36, and 5 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 14 times: bars 9, 11, 13, 31, 33, 49 and 8 more.
5 more fills are written out on the fills page.
74 bars across 7 sections: 50 keep time, 14 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-8.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
74 bars, about 3:40 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 14 times: bars 9, 11, 13, 31, 33, 49 and 8 more.