96 bars of 4/4 at 112 BPM, about 3:24 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-23, 25-26 and 43-46, and 1 more place -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 28 times: bars 6, 26, 38, 46, 47, 48 and 22 more.
9 more fills are written out on the fills page.
96 bars across 12 sections: 49 keep time, 28 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 28-34.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
96 bars, about 3:24 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 28 times: bars 6, 26, 38, 46, 47, 48 and 22 more.