104 bars of 4/4 at 135 BPM, about 3:05 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-16 and 27-30 -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 15 times: bars 17, 18, 26, 35, 37, 49 and 9 more.
5 more fills are written out on the fills page.
104 bars across 6 sections: 56 keep time, 15 are fills and 28 are stops. The longest unbroken stretch of time is bars 1-16.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
104 bars, about 3:05 at the written tempo. The course breaks it into 32 exercises over 8 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 17, 18, 26, 35, 37, 49 and 9 more.