240 bars of 4/4 at 127 BPM, about 7:26 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-36, hi-hat through bars 37-68, ride through bars 69-92, hi-hat through bars 93-120 and silence through bars 121-128, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 5-19, 21-23 and 25-27, and 19 more places -- 60.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
6
1.....2.....3.....4.....
CC |x-----x-----x-----x-----|
RD |x-----x-----x-----x-----|
SD |---x--------x--------xxx|
BD |x--------x--------------|1 fill to learn, played 1 time: bar 172.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
127 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
240 bars, about 7:26 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 172.