119 bars of 4/4 at 120 BPM, about 4:04 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-27 and 62-68 -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 50, 51, 53, 69, 83 and 84.
119 bars across 18 sections: 69 keep time, 6 are fills, 8 are stops and 23 are silent. The longest unbroken stretch of time is bars 22-31.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
119 bars, about 4:04 at the written tempo. The course breaks it into 48 exercises over 19 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 50, 51, 53, 69, 83 and 84.