179 bars of 4/4 at 130 BPM, about 6:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 56-57, 59-60 and 62-63, and 8 more places -- 15.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 25 times: bars 24, 25, 26, 29, 30, 31 and 19 more.
2 more fills are written out on the fills page.
186 bars across 18 sections: 90 keep time, 25 are fills and 47 are silent. The longest unbroken stretch of time is bars 50-62.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 82 out of 100; the rest of the number is everything around it.
179 bars, about 6:49 at the written tempo. The course breaks it into 51 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 25 times: bars 24, 25, 26, 29, 30, 31 and 19 more.