130 bars of 4/4 at 112 BPM, about 4:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-4, 6-8 and 34-40, and 7 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 42 times: bars 5, 9, 17, 24, 25, 27 and 36 more.
15 more fills are written out on the fills page.
130 bars across 14 sections: 71 keep time, 42 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 82-88.
112 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
130 bars, about 4:39 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 42 times: bars 5, 9, 17, 24, 25, 27 and 36 more.