115 bars of 4/4 at 120 BPM, about 3:50 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 16-18, 20-21 and 28-30, and 4 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
115 bars across 24 sections: 61 keep time, 26 are stops and 13 are silent. The longest unbroken stretch of time is bars 108-115.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
115 bars, about 3:50 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.