122 bars of 4/4 at 140 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 66, 70-71 and 73, and 3 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 15 times: bars 2, 4, 7, 8, 10, 40 and 9 more.
7 more fills are written out on the fills page.
122 bars across 8 sections: 83 keep time, 16 are fills, 9 are stops and 5 are silent. The longest unbroken stretch of time is bars 79-105.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
122 bars, about 3:26 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 2, 4, 7, 8, 10, 40 and 9 more.