110 bars of 4/4 at 130 BPM, about 3:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15-16, 19 and 31-33, and 1 more place -- 8.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 42 times: bars 14, 18, 23, 24, 25, 26 and 36 more.
12 more fills are written out on the fills page.
110 bars across 13 sections: 39 keep time, 42 are fills, 14 are stops and 8 are silent. The longest unbroken stretch of time is bars 7-13.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
110 bars, about 3:24 at the written tempo. The course breaks it into 46 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 42 times: bars 14, 18, 23, 24, 25, 26 and 36 more.