75 bars of 4/4 at a walking 80 BPM, 3:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-28, 30-32 and 34-36, and 3 more places -- 24.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 17 and 12 more.
3 more fills are written out on the fills page.
75 bars across 5 sections: 44 keep time, 18 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 27-40.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 59 out of 100; the rest of the number is everything around it.
75 bars, about 3:45 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 1, 2, 3, 4, 5, 17 and 12 more.