102 bars of 4/4 at 116 BPM, about 3:31 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 49-56, 81-88 and 93, and 1 more place -- 24.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 42 and 78.
102 bars across 16 sections: 72 keep time, 2 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 14-20.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
102 bars, about 3:31 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 42 and 78.