120 bars of 4/4 at 138 BPM, about 3:29 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 14 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 11 times: bars 19, 27, 45, 53, 69, 81 and 5 more.
120 bars across 14 sections: 72 keep time, 11 are fills, 22 are stops and 2 are silent. The longest unbroken stretch of time is bars 3-10.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
120 bars, about 3:29 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 11 times: bars 19, 27, 45, 53, 69, 81 and 5 more.