106 bars of 4/4 at 134 BPM, about 3:10 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 18 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 106.
106 bars across 5 sections: 99 keep time, 1 is a fill, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 1-65.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
106 bars, about 3:10 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 21 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 106.