124 bars of 4/4 at 144 BPM, about 3:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 48-50, 52-54 and 56-60, and 5 more places -- 29.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 46, 61, 86, 87, 104 and 119.
1 more fill is written out on the fills page.
124 bars across 14 sections: 82 keep time, 7 are fills, 16 are stops and 11 are silent. The longest unbroken stretch of time is bars 89-103.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
124 bars, about 3:28 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 46, 61, 86, 87, 104 and 119.