122 bars of 4/4 at 143 BPM, about 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 28, 30-37 and 40, and 12 more places -- 21.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 6, 7, 8, 9, 24, 25 and 11 more.
4 more fills are written out on the fills page.
122 bars across 8 sections: 83 keep time, 17 are fills, 7 are stops and 7 are silent. The longest unbroken stretch of time is bars 95-122.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
122 bars, about 3:25 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 6, 7, 8, 9, 24, 25 and 11 more.