121 bars of 4/4 at a walking 107 BPM, 4:31 of playing, on crash, hi-hat, snare and kick.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-8, hi-hat through bars 9-14, snare through bars 15-19, hi-hat through bars 20-25, snare through bars 26-46 and hi-hat through bars 47-53, and 1 more change after that.
The beat the song is built on is one bar, played through bars 54-63, 65-67 and 70-75, and 4 more places -- 28.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
54
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |------------x---|
BD |x---x-----------|7 fills to learn, played 13 times: bars 4, 13, 14, 16, 17, 18 and 7 more.
It cuts the song into 48 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 8 out of 100; the rest of the number is everything around it.
121 bars, about 4:31 at the written tempo. The course breaks it into 48 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
7 fills to learn, played 13 times: bars 4, 13, 14, 16, 17, 18 and 7 more.