94 bars of 8/4 -- not four -- at 122 BPM, 5:44 of playing on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 10-12 and 14-17 -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 7 times: bars 7, 13, 29, 35, 37, 39 and 1 more.
3 more fills are written out on the fills page.
94 bars across 8 sections: 34 keep time, 7 are fills, 1 is a stop and 46 are silent. The longest unbroken stretch of time is bars 20-25.
122 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 83 out of 100; the rest of the number is everything around it.
94 bars, about 5:44 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 7, 13, 29, 35, 37, 39 and 1 more.