197 bars of 4/4 at 145 BPM, about 5:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19, 23 and 27, and 3 more places -- 4.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 58 times: bars 16, 20, 24, 28, 31, 32 and 52 more.
22 more fills are written out on the fills page.
197 bars across 25 sections: 73 keep time, 58 are fills, 14 are stops and 24 are silent. The longest unbroken stretch of time is bars 181-188.
145 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
197 bars, about 5:22 at the written tempo. The course breaks it into 90 exercises over 26 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 58 times: bars 16, 20, 24, 28, 31, 32 and 52 more.