36 bars of 4/4 at 140 BPM, about 1:01 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-8 -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
39 bars across 7 sections: 28 keep time, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 1-12.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 67 out of 100; the rest of the number is everything around it.
36 bars, about 1:01 at the written tempo. The course breaks it into 14 exercises over 6 sittings, about 21 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.