96 bars of 4/4 at 120 BPM, about 3:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-19, 46-52 and 81-87 -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 34 times: bars 1, 2, 3, 4, 11, 12 and 28 more.
6 more fills are written out on the fills page.
96 bars across 10 sections: 46 keep time, 34 are fills, 2 are stops and 5 are silent. The longest unbroken stretch of time is bars 14-19.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
96 bars, about 3:12 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 34 times: bars 1, 2, 3, 4, 11, 12 and 28 more.