149 bars of 4/4 at 140 BPM, about 4:15 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 49-51, and 12 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 48, 73, 81, 88, 89, 93 and 11 more.
3 more fills are written out on the fills page.
149 bars across 15 sections: 89 keep time, 17 are fills, 13 are stops and 22 are silent. The longest unbroken stretch of time is bars 26-38.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
149 bars, about 4:15 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 48, 73, 81, 88, 89, 93 and 11 more.