201 bars of 3/4 -- not four -- at 140 BPM, 4:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 71 and 73-75, and 7 more places -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 36 times: bars 8, 12, 22, 24, 28, 48 and 30 more.
13 more fills are written out on the fills page.
201 bars across 19 sections: 63 keep time, 36 are fills, 37 are stops and 52 are silent. The longest unbroken stretch of time is bars 82-88.
140 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
201 bars, about 4:24 at the written tempo. The course breaks it into 66 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 36 times: bars 8, 12, 22, 24, 28, 48 and 30 more.