241 bars of 4/4 at 150 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-11, snare through bars 12-20, hi-hat through bars 21-43, snare through bars 44-63, hi-hat through bars 64-66 and snare through bars 67-68, and 26 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 13-18, 21-27 and 226-235 -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 14
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x--x--x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |x--x--x---x---x-|--x---x---x---x-|
BD |--x--x---x--x---|-x--x----x--x---|11 fills to learn, played 42 times: bars 19, 46, 48, 54, 56, 57 and 36 more.
It cuts the song into 74 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
241 bars, about 6:31 at the written tempo. The course breaks it into 74 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 42 times: bars 19, 46, 48, 54, 56, 57 and 36 more.