241 bars of 4/4 at 150 BPM, about 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 13-18, 21-27 and 226-235 -- 11.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 42 times: bars 19, 46, 48, 54, 56, 57 and 36 more.
7 more fills are written out on the fills page.
241 bars across 31 sections: 131 keep time, 42 are fills, 7 are stops and 37 are silent. The longest unbroken stretch of time is bars 31-42.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
241 bars, about 6:31 at the written tempo. The course breaks it into 74 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 42 times: bars 19, 46, 48, 54, 56, 57 and 36 more.