169 bars of 4/4 at 140 BPM, about 4:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
73 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-17, hi-hat through bars 18-34, snare through bars 35-49, hi-hat through bars 50-65, snare through bars 66-87 and hi-hat through bars 88-103, and 3 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 21-22, 25-26 and 29-30, and 6 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 22
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|------------x---|
HH |o---o---o---o---|o---o---o-------|
SD |x-------x-----x-|------x-----x---|
BD |---x--x--x------|-x--x--x-------x|
HF |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|11 fills to learn, played 58 times: bars 1, 2, 3, 4, 12, 41 and 52 more.
It cuts the song into 40 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
169 bars, about 4:55 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 58 times: bars 1, 2, 3, 4, 12, 41 and 52 more.