169 bars of 4/4 at 140 BPM, about 4:55 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 21-22, 25-26 and 29-30, and 6 more places -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 58 times: bars 1, 2, 3, 4, 12, 41 and 52 more.
7 more fills are written out on the fills page.
169 bars across 9 sections: 99 keep time, 58 are fills and 3 are silent. The longest unbroken stretch of time is bars 93-115.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
169 bars, about 4:55 at the written tempo. The course breaks it into 40 exercises over 12 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 58 times: bars 1, 2, 3, 4, 12, 41 and 52 more.