123 bars of 4/4 at 135 BPM, about 3:39 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 8-13, 16-17 and 32-33, and 5 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 16 times: bars 6, 14, 18, 26, 30, 34 and 10 more.
6 more fills are written out on the fills page.
123 bars across 14 sections: 85 keep time, 16 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 113-120.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
123 bars, about 3:39 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 6, 14, 18, 26, 30, 34 and 10 more.